Theater Review: "Poison and Lace" at Habima | scene
About Press from a Trajtenberg Committee - minutes from culture from around magnolia the beach breakers struggle if you will - the banks social writers and writing projects magnolia Adam Baruch Gilad Shalit authors read from their books birthday 100 Alterman tribute to Agatha Christie Picture of the year 2010 Terms of Use Copyright magnolia posting comments smart navigation by topic by Photos Contact Us Newsletter Articles
"Poison and Lace" at Habima is something that used to call it "confection": product assembly line without distinction, that seemed made solely to fulfill the great room a few days in and contribute to the balance of the theater. magnolia No one ingredient to this play feels alive and authentic, and I doubt if anyone was in the making, magnolia cultivated minimal enthusiasm for the project. Even when referring L"ral and Lace "conditions of commercial theater, the work is conducted by a sum of its parts. True, it may professionally, with substantial investment in setting the gloom of Eran Atzmon and costumes by Yelena Klrich inspired by Tim Burton, but the bottom line is this is an entertainment machine rusting, creaking and limping, crawling magnolia tortoise pace for more than two hours.
The play, written by Joseph Kesselring and translated by Dori Parnes, premiered on Broadway in the 30th, then - it also became known film of Frank Capra. The last time the country was raised during the previous economic crisis of the stage, at 1991, and then played Lea Koenig lead role. Even in the current version, Koenig octogenarian Plus is perfect casting in the role of the two elderly lover, host booth single men and murdering them with poison. The combination between her and Deborah Kidder, her sister and her role of serial murders, is a promise fireworks show staged simply did not happen here. Tomer Sharon role of amateur theater critic panning and Aheinn the elderly, who discovers the Sudan on his engagement to the daughter a pastor, he is a player you can count on that will bring high energy to the stage. But even the biggest talents on the stage are not able to overcome the lack of a total of inspiration.
The director of "poison and Lace" Captain Moses created last year no less than five plays, alongside his work as artistic director of the Israel Festival and Director of Pre-Eurovision TV transmitters. Captain of the hot stock and can understand the desire to hit iron. After "Fiddler on the Roof" and indicated his Cameri very successful five years ago, it seems that Captain could establish himself as a director on the Israeli magnolia theater, chooses his projects carefully, and do only what really feels like it. Instead, the feeling is that he chooses to attack frenzy over everything in its path. Sometimes it comes out better, sometimes worse, but the bottom line feeling is that Captain does not do justice to his talent, and viewers, choosing to give up art for the confection.
Creating theater and film journalist and entrepreneur in the field of culture. Outstanding Graduate of the Department of Film and Television (BA) and the Department magnolia of Theatre Arts (MFA) at Tel Aviv University. Since 2006 produces and directs the wide-ranging documentary project "Stock testimonies of Israeli cinema." Winner of cinematic art from the Ministry magnolia of Culture for 2011. Since 2010 Tmuna jobs created, Acco Festival, Yiddishpiel Herzliya Ensemble and more. Previously wrote on theater, dance and opera culture site, information Tel Aviv and Time Out. He is currently the theater critic of The City Mouse.
Lose virginity - Interview with director Maor Zagury 9/16/10 9:26 "Lover" Habima Theater Review by Mya Ophir Magnet - by the book 5/16/14 0:27 "mammoths" of the Batsheva Dance Review by Merritt Parkhomovsky - Intimacy with tribal 4/25/14 0:29 "The Dybbuk" magnolia Bridge Review by Little Nimrod - possessed, pretty! 28/02/14 14:43 "oath" Habima Review by Mia Ophir Magnet - Jewish romance without value added 15/01/14 13:33
Caught Network Huffington Post NPR - a public radio American ProPublica - Journalism public interest The Daily Dish Historical Jewish Press Site Bubble Real Estate severe Israel Blog Channel 8 Brit Darkness magnolia Away (combating magnolia racism) sting Seventh Eye people demand social justice - site Velvet Underground - Blog Key media - Journal of Political Thought magnolia Nohilnd (concentration Articles tycoons in Israel) Nathan Alterman - Site Sabbath a day of action - your place to move things lists Sheich - fighting for Jerusalem
copyright content on this page belong to Merritt Parkhomovsky. Responsibility for the contents of this page increased and / only.
About Press from a Trajtenberg Committee - minutes from culture from around magnolia the beach breakers struggle if you will - the banks social writers and writing projects magnolia Adam Baruch Gilad Shalit authors read from their books birthday 100 Alterman tribute to Agatha Christie Picture of the year 2010 Terms of Use Copyright magnolia posting comments smart navigation by topic by Photos Contact Us Newsletter Articles
"Poison and Lace" at Habima is something that used to call it "confection": product assembly line without distinction, that seemed made solely to fulfill the great room a few days in and contribute to the balance of the theater. magnolia No one ingredient to this play feels alive and authentic, and I doubt if anyone was in the making, magnolia cultivated minimal enthusiasm for the project. Even when referring L"ral and Lace "conditions of commercial theater, the work is conducted by a sum of its parts. True, it may professionally, with substantial investment in setting the gloom of Eran Atzmon and costumes by Yelena Klrich inspired by Tim Burton, but the bottom line is this is an entertainment machine rusting, creaking and limping, crawling magnolia tortoise pace for more than two hours.
The play, written by Joseph Kesselring and translated by Dori Parnes, premiered on Broadway in the 30th, then - it also became known film of Frank Capra. The last time the country was raised during the previous economic crisis of the stage, at 1991, and then played Lea Koenig lead role. Even in the current version, Koenig octogenarian Plus is perfect casting in the role of the two elderly lover, host booth single men and murdering them with poison. The combination between her and Deborah Kidder, her sister and her role of serial murders, is a promise fireworks show staged simply did not happen here. Tomer Sharon role of amateur theater critic panning and Aheinn the elderly, who discovers the Sudan on his engagement to the daughter a pastor, he is a player you can count on that will bring high energy to the stage. But even the biggest talents on the stage are not able to overcome the lack of a total of inspiration.
The director of "poison and Lace" Captain Moses created last year no less than five plays, alongside his work as artistic director of the Israel Festival and Director of Pre-Eurovision TV transmitters. Captain of the hot stock and can understand the desire to hit iron. After "Fiddler on the Roof" and indicated his Cameri very successful five years ago, it seems that Captain could establish himself as a director on the Israeli magnolia theater, chooses his projects carefully, and do only what really feels like it. Instead, the feeling is that he chooses to attack frenzy over everything in its path. Sometimes it comes out better, sometimes worse, but the bottom line feeling is that Captain does not do justice to his talent, and viewers, choosing to give up art for the confection.
Creating theater and film journalist and entrepreneur in the field of culture. Outstanding Graduate of the Department of Film and Television (BA) and the Department magnolia of Theatre Arts (MFA) at Tel Aviv University. Since 2006 produces and directs the wide-ranging documentary project "Stock testimonies of Israeli cinema." Winner of cinematic art from the Ministry magnolia of Culture for 2011. Since 2010 Tmuna jobs created, Acco Festival, Yiddishpiel Herzliya Ensemble and more. Previously wrote on theater, dance and opera culture site, information Tel Aviv and Time Out. He is currently the theater critic of The City Mouse.
Lose virginity - Interview with director Maor Zagury 9/16/10 9:26 "Lover" Habima Theater Review by Mya Ophir Magnet - by the book 5/16/14 0:27 "mammoths" of the Batsheva Dance Review by Merritt Parkhomovsky - Intimacy with tribal 4/25/14 0:29 "The Dybbuk" magnolia Bridge Review by Little Nimrod - possessed, pretty! 28/02/14 14:43 "oath" Habima Review by Mia Ophir Magnet - Jewish romance without value added 15/01/14 13:33
Caught Network Huffington Post NPR - a public radio American ProPublica - Journalism public interest The Daily Dish Historical Jewish Press Site Bubble Real Estate severe Israel Blog Channel 8 Brit Darkness magnolia Away (combating magnolia racism) sting Seventh Eye people demand social justice - site Velvet Underground - Blog Key media - Journal of Political Thought magnolia Nohilnd (concentration Articles tycoons in Israel) Nathan Alterman - Site Sabbath a day of action - your place to move things lists Sheich - fighting for Jerusalem
copyright content on this page belong to Merritt Parkhomovsky. Responsibility for the contents of this page increased and / only.
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