The song opens the album (and a gem of a text-metal cheese hasta huge),

The White Zombie I found somewhere in the eighth grade, hasta when "More Human Than Human" legendary flashed life on television or radio or whatever (the radio does not have a screen, I know) and sent me off to purchase Astro Creep 2000, their fourth album of zombies from New York.
A child with a rich background thrash and grunge, where everyone unhappy and looking for an answer (usually not really find), Rob Zombie and crazy band His dirty and reading from another planet. Star coated fishnets and unreliable populated elves sailing. hasta
World of guitars obesity as things obese (Sponsored Jay, enigmatic guitarist and lighting), beating drums sounded like the school yard (John Tempesta immortal), bassist blonde (Sean Ioseolt, at certain hasta angles he was attractive enough to fall in love with it) and most Zombie genius nut who ruled as the secret ingredient winning the White Zombie hasta flying monkeys star: filth, horror films from the beginning-middle of the twenty (what is called, B Movies), and an amazing sense of style.
So after I constantly have the Astro Krief once, twice, ten thousand, I did what any music lover does he find something he likes: buy more, and usually the album came before (out of fear, who is always there, hasta if we run too fast or too far Something hasta went wrong). But what happened here is not upset, is enlightenment.
Album name, one of the most successful in history, is a good place to start, because it pretty much sums up the reason for this album, unlike many guitars that flowed beneath Lena early nineties, will always remain. La Sexorcisto: Devil Music, Vol. 1. There is everything: sex, Satan, and the joke, 'as if' promise to dismantle the two, it is the catch. White Zombie were not great because they were dirty. White Zombie were great because they were dirty, knew it, and laughed about it nearly as seriously as they worshiped the God of filth.
The song opens the album (and a gem of a text-metal cheese hasta huge), "Welcome to Planet Motherfucker / Psychoholic Drag", is the perfect gateway to the world of screwed up mind: millions of bats flying around everywhere, a sample of a woman screaming, old movie monster Provider too, an air of "Tunnel of Fear", an amusement park in the neighborhood.
Song after the crash that psycho-cloth is not a song. Is again retarded quotes me a sample. Any other album, and I mean in some-to another album, this is an excellent hasta excuse Lzifzof. But not here. Radio station announces the killer raging in the streets, more girls are moaning. This is not the so-called filler, it literally killer. Killer makes one of the best metal songs of that time identified.
"Thunderkiss '65" long since ceased to be another song of White Zombie. This "song" that made the band is connected to the people who washed five years, a bunch of people who have not washed five years very famous. And all thanks to those who were doing and towns metal stars in the early nineties: Beavis and Butthead.
But this legendary performer with painted pair could not be sufficient. What made the band, and the song is the fact that it's just a great chant. Catchy, violent, almost pop (in terms Zombie), with one of the best riffs this side of the distortion. It and tambourine in the background.
Then we realized. You like her mother, hasta like girls, and love fat riffs. But the thing about zombies, their quirky charm, is that this first interpretation is almost blind admiration junk culture which is essentially American. Muscle cars guzzle fuel, blonde girls (fishnets, we said?) And rebellion.
American revolt and who represents more people entered the picture next song, which is Iggy Pop. Iggy Pop is not wacky TV ads, no music icon Iggy everywhere. hasta Iggy Pop Trailer Park, Viet kicking trash, torn jeans and a trembling voice. The choice of song that American Any way you looked at it is nothing short of genius. "Black Sunshine" is an angry black car.
And straight hasta into the arms of a new masterpiece. Intro almost progressive, almost European, then a barrage of guitars angles and Grove enters like a brick wall. Grove impossible to invent, produce or copy. Reincarnation shell ugly distortion amazing: This is the "Soul Crusher".
In "Cosmic Mosnters Inc." Returning a sample B movie, the sound of an audience, and straight ahead. Double-bass like a double-bass should be, slapping fat face, a tight band, all pulse. hasta And then ... fall back into the pit of horror. And perhaps one of the songs (that's what it is?) The best in each album.
"I Am Legend" is not a quiet song. But he did. Oasis of clean guitar, a little emotion and not threatening, in one way or another still maintains tension whenever, but in a more personal (maybe lament after the monster eats your head?). Like "Good Morning / Black Friday" of fortune /, it ensures peace and brings a mess, but a mess then.
Radio quotes me again, then again murderers "Thrust" and go from darkness to light is proportional hasta post-Saongrdnim riffs Jay emits this album could not care less about anything. If you entered a remote gas station in a desert of Roger Corman film, repeat this song with which the open road. Maybe a shotgun.
This album, like the black and white killer, just refuses to give up. Continue to drill, continues to burn. No songs that should not be here and what is certain, No songs thrown over power at the end of that. "Starface" pushing forward (John Tempesta live) and "Warp Asylum", with reef Hsabat'i oil, throws us back into the room, the apartment, the shocking lack of serial killers and swamplings.
So what did we get? The Le Gosier, the Vincent Price, Iggy Pop, constant barrage of guitars Grove and - the secret ingredient missing from the music of many bands that relied on the zombie sound decade later - a soul. Maybe it's stupid skull worship and girls fishnets, hasta but the stupid we were invited to eat Malawach us Bev